MY CALL: If you often feel that horror fails to cultivate the dread, utter shock, and dire hopelessness it deserves, then this is the gut-punching atmospheric film you need in your life. That is all. MORE MOVIES LIKE When Evil Lurks: For more Argentinian horror, go for Terrified (2017). For something similarly primordial and utterly dire, try The Dark and the Wicked (2020). Additional Spanish language horror recommendations include The Passenger (2021; La Pasajera), The Platform (2019; aka El Hoyo), Pan’s Labyrinth (2006) and [REC] 1-3 (2007-2012)—but not [REC] 4 (2014).
Casual agrarian frontier life takes a dire turn when brothers Pedro (Ezequiel Rodríguez; Juego de Brujas, Legions) and Jimi (Demián Salomón; Into the Abyss, Satanic Hispanics) happen upon a mutilated body near their ranchland. The macabrely disfigured man who is claimed to be possessed by a demon threatens to birth greater evil upon the land.
Upon discovery of the bloated, oozing body of Uriel, it is imperative that they take his body far away and kill him to halt the evil inside him from moving to the next vulnerable soul, the unborn child of a neighbor. While often reduced to a group of panicked men discussing the matter on the ranch, the atmosphere is incredibly stressful. For what they feel they must do is as unsettling as the perceived consequences of inaction. Moving the corpulent demonic vessel is a likewise unnerving matter. He seeps pus from his lips when disturbed, and his skin is an amalgamation of bedsores and clusters of cysts. The very sight of Uriel admonishes what lies within.
Despite only affecting three small neighboring ranchland households, this dilemma feels intensely large. With no help from local authorities and uncertain of the best way to handle this unique problem, they do what they think is best. But to us viewers, their actions feel anything but.
From here, the wild superstition is as horrendous as the imagery is brutal. Characters are murdered under hopeless circumstances, for reasons combining possession and fear of demonic forces. As the story continues; the desperate superstition mounts. Leaving all possessions behind, burning clothes exposed to the evil, and fleeing the afflicted land eventually seems to be the only option. They run. The evil follows.
The cinematography and general camerawork are excellent! But what about blood and guts…? There is a brutally grounded abruptness to death in this movie. The special effects gore of the severed lower half of a man to the festering obese body of the ranchland neighbor Uriel will surely shock viewers. Multiple self-inflicted suicidal ax wounds to the face will leave you slack-jawed at the visuals as well as with other awkwardly unique and undeserving deaths. The animal attack comes out of nowhere and is truly astounding! In fact, this movie will make you nervous whenever you see a camera linger on an animal. Oh, and the car death… that, too!!! Not to mention a LOT of skull crushing squishy head trauma. Yeah, this film brings a lot to the table.
What this film lacks (for me) is a satisfying resolution to the story. Some people didn’t like the story or the “rules” of the possession because they didn’t fully get it—or so I’ve read online. But as someone who got it, I still didn’t care for the turns or revelations of the third act. However, even with this criticism stated, I thought this film was awesome and the execution of aspects I liked less remained thoughtfully crafted.
Writer and director Demián Rugna (Terrified, Cursed Bastards, Satanic Hispanics) has regaled horror fans again, and his greatest flaw may also be the source of his strength: his patience. After all, his previous feature film was in 2017! So rather than rush him, I simply hope he has another soul-rattling groundbreaker in store for us by 2029… but yeah, sooner would be better! In the meantime, I need to find the horror anthologies to which he has contributed short segments.